Frequently -and not so frequently- Asked Questions
At the moment, we are between versions. The MC3 is scheduled for release in 2019. Meanwhile we have stopped selling the MC2.
For now, your options are:
Get on our mailing list
and we will tell you when and where you can get an MC3.0! Contact Us.
See a Demonstration
We regularly present demonstrations at conferences, trade fairs, and institutions. See the link to News
We can also come to your institution. Contact us for details.
Order a Workshop
Workshops are an excellent way to get to know the MotionComposer and its possibilities for use. See the section on workshops.
Rent an MC2.0
We rent out the MC2 for research and testing purposes. Contact us for details.
We have not yet fixed the price of the MC3.0.
Yes. If you have problems or questions at any time, we are here to help. We want everyone to have a great experience.
1) Turn it on.
2) Select the music you want from the tablet-controller.
3) Move your body.
You will hear your movements as music!
Its that simple.
Yes, anyone. If you can move some part of your body, if only your eyes, then you can create music with the MotionComposer. There are settings to allow different body parts and different levels of activity to be used.
The MotionComposer offers six Musical Environments. Each has a different style of music, but it is more than that. They also offer different mappings, or ways of playing the music. There is something for everyone — both in terms of ability and taste in music.
Since there are many kinds of therapy, and many abilities, there is no quick answer to this question. We have made over 50 workshops in hospitals, hospice care centers, memory units, school for hearing impaired, special education schools, live-in care centers, and so on. We have also made inclusive performances with artists with and without disabilities. At each event, we learn. You can read about some of our experiences at publications.
When the MC3 goes on sale, we will have an on-line tutorial, and an on-line users’ forum, so that you can read about one another’s experiences and offer each other tips on using the MotionComposer with different kinds of users.
Finally, a great way to learn about the possibilities is in the form of a workshop. We offer to come to your facility and teach you how to use the MotionComposer in different settings.
The MC has 1-Player and 2-Player modes. For example, one person can play one musical instrument, while the second person plays another instrument.
The MC can track many more people than this. The challenge, however, is that it becomes confusing who is doing what!
Having said this, there are ways to use it with groups, everyone dancing together. Methods for doing so will be explained in the on-line tutorial when MC3 goes on sale.
While the MC2 works well — we still use it for our own workshops — the new one is in many ways easier to use. Also, it has more music. Some highlights include:
– no more keyboard, screen and mouse, only a small wireless tablet.
– the tablet will have no words — only easy-to-use pictographs.
– more musical instruments, more melodies, more drums, more animals!
– more possibilities for 2-player mode.
– the operator can select between hearing the movements of the therapist, the movements of the patient, or both!
– visual feedback as well as audio — the MC lights up with the sounds! (this feature can be turned off)
– passive stereo-vision technology. This is a bit technical to explain, but it means that the MC will be more robust in different lighting conditions. It will even work in theater stage light.
There are two parts to turning movement into music:
Part one is the motion tracking. Video cameras attached to a computer, analyze expressive shapes, movements and gestures and turn them into computer data.
Part two is called mapping. This means assigning the different body parts, gestures and movements to musical features, such as the notes of a piano.
But just playing notes is not the same as making music! This is where our composers come in. Using a kind of software called algorithmic composition, users are helped to play musically. For example, when you play a note, the software looks for notes that sound good together. The same is true of the player’s rhythm. If you play a little too early, the software will correct your mistake to keep you on the beat.
If done correctly, the player will have a feeling of hearing their body as music. This is our ultimate goal.
The human eye is sensitive to the human form. Even from a distance, we can immediately recognize if someone is there. Even if they are standing still, we can instantly tell people from trees, lamps, chairs and tables. Computers are not nearly so clever. Teaching them to find the human form, and to analyze what it is doing, is what is meant by “motion tracking”.
The underlying technology is based on analyzing differences in light intensity. But if you look around you, you may notice that the lighting can be quite chaotic. There are reflections, shadows and things moving in the background. Even the trees moving out the window might cause unwanted sounds!
The MotionComposer solves this challenge using stereo-vision technology. This means that two cameras, like our eyes, essentially see the world in three dimensions, and this in turn allows our software to locate where the player is and what they are doing. Even persons in wheelchairs can be identified and analyzed according to expressive gestures, shapes and movements.